ShapeUs Studio’s Le Ha Hoang Describes Serif's Design
Serif Space was designed by Le Ha Hoang’s ShapeUs Studio. It’s a collaborative project that comes in two parts: an outdoor bar that presents a unique view of Ben Thanh Market, and a meeting room with a District Eight ping pong table.
Serif is a Vietcetera project—with a games piece by the modern-industrial Vietnamese furniture firm District Eight. The rooftop space presents a view of the buildings that make up Ben Thanh Market that’s rarely seen.
From the fourth floor of 58 Phan Boi Chau, the formations of the 13,000-meter-square-market originally constructed in 1912 are visible. “Here, the starting point was the physical aspect of the building. It’s raw, simple, and open,” the project’s designer, Le Ha from ShapeUs Studio, says looking out across the market. “Serif is all about this view.”
The modern-industrial design—there’s lots of rusted steel, exposed plaster, and that functional, interactive District Eight —developed from the architect’s vision that every project has a unique context that the design should assimilate into.
“We don’t have a fixed style or a philosophy,” Le Ha explains about his beliefs. “Every project is different because the context and the people who will inhabit the space are different…and that’s always the starting point for us,” he adds.
Serif is a multi-functional venue. “Its purpose—thinking again about people being the starting point for the design—is to accelerate interactions,” Le Ha continues. “It would be perfect for a mini-conference about design,” he adds. In fact, the space has already hosted international guests like Behance’s co-founder Matias Corea, who gave a talk on the rooftop, and local events like the première of Vietcetera’s short film about Saigon Ink tattooist Danis Nguyen. More recently, it’s also hosted the Domdom Popup Pub, an exclusive Fernet Hunter and Renkon night, and a rap conference by V.Sik.
Serif has two parts. The first is a 100-meter-square outdoor bar area that curves around the corner of Phan Boi Chau and Le Thanh Ton. It serves draft beer by the “100% natural” Da Kao-based, Platinum, and a revolving roster of other craft brews from the breweries that are propelling Vietnam’s “booming craft beer scene.”
Inside, the second space is a high-ceilinged room that looks across to the alley that’s home to the first branch of the French casual-dining restaurant Cocotte, the vintage store Mayhem, and the mish-mash of Vietnamese restaurants and optical shops on that side of Le Thanh Ton.
Its District Eight ping pong table converts into a conference desk—part of the furniture design firm’s trademark style of making games pieces that are visually appealing when not in use. “The table has a real presence in the space. It’s formal—when it’s set up without the hand-crafted and stitched leather net—or it can become informal when we put up the net for a game of ping pong,” the designer smiles.
The entire design, according to Le Ha, is in service to the idea of interactions. The lighting, for example, which is visible from rooftop bars like OMG far over on the other side of the market, “weaves in and out, and goes in weird directions.”
It’s a showy, attention-seeking feature that serves the practical purpose of stabilizing the structure. “All the elements are trying to show off, but at the same time they’re interacting and working together. And that’s what we want to happen in the space—for people to be themselves, but to interact, and be part of a whole,” Le Ha elaborates.
used to be a coffee bar on the roof of what was the Rice Creative office. Once Rice moved to their new, larger, ground-floor location at 90 Nguyen Dinh Chieu, Vietcetera, and Le Ha’s ShapeUs Studio moved in—as well as guests like filmmakers Robin & Cako, and director of photography Ray Lavers.
“Originally the coffee bar was housed in an enclosed square area,” the architect continues. “The first thing I wanted to do was take down the wall to reveal the whole structure. Then everything else flows and interacts around the space it revealed,” he says about the organic shape of the bar.
“In fact, the bar looks like it’s squeezed between the existing columns and then it’s coming out. The lines above that are made by the lighting feature. It’s a bit like the game of stretching the string around pegs—which are the columns. But actually, at the same time the lighting is bracing for the whole structure.”
The abrasive industrial steel fittings are offset by carefully positioned plants. The cacti in planters “that are exactly the size of the paving stones” are “like extrusions that go vertically upwards.” Even though, Le Ha admits, they’re not the most pragmatic choice of greenery for a bar.
“People don’t usually put a cactus in a bar…someone might get drunk and fall on it. But it’s fine. To get a little hurt would be a fine reminder of a great night,” he laughs. And the name? Everything emerged from conversations with Rice Creative. They thought up the name and created the logo for Serif in response to ShapeUs Studio’s design.
Joshua Breidenbach, creative director of Rice Creative, explains, “A Serif is a sculptural shape, an ending to a letterform. The forms of ShapeUs Studio’s work here conjured up the idea of for the name ‘serif’.” “It fits because this design was about using what we have and adding a little something extra to it—which gives it a completely different attitude and feel,” Le Ha smiles finally.
You can find Serif online at Instagram and Facebook. For enquiries send an e-mail to hello@serifspace.com.
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